If you're not sure about Geesin's role in the AHM track, listen to his collab with Roger Waters's The Body, and it'll all become clear, even if musically there is no resemblance between the two albums. Purple had failed as would Caravan later (although un-rehearsed), Procol only doing a readaptation of their better stuff, The Nice failing miserably on Ars Longa (etc.) but Floyd managed it well enough, but had to resort to outside help in the name of Ron Geesin. On the A-side, Floyd tried more successfully what many failed to do before them: integrating classical music and the symphonic orchestra and choirs into the rock fusion. No doubt Hypgnosis' cow un-tagged pastoral artwork helped out (it was a fad that Crimson and Zep tried before they did), but that doesn't explain much, especially with the sore studio experience of Ummagumma. Despite the album's flaws and it not always ageing well, I rank in the last category of fans, even if I wonder sometimes how this album became so successful. AHM is a very controversial album, decried by many as boring and pretentious (this usually the Barrett unconditionals pissing on Floyd's successful convalescence of their Syd-loss), almost disowned even by some Floyd members and hailed as the first giant step to the group's ascension to perfection ? it was after their first chart topping album.
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